Eu chego lá: memória e identificação na música de Marinês

Abstract

This research aimed to analyze some works of the northeastern singer and composer Marinês, from studies that approach the concept of affective memory and collective memory, as well as the concept of identity and identification. For this, the Halbwachsian theory was reviewed in order to understand the relationship between the concept of memory and the influence of Marinês in my formation as an artist, as well as to analyze, through the concept of memory, the influence of Marinês in my formation as forrozeira singer, based on the theories of Maurice Halbwachs and Stuart Hall bringing the concept of identification. To discuss the concept of identification, Hallian theory was used. The methodology used, with regard to the approach, followed the precepts of qualitative research, while the procedures adopted, this research was guided along the lines of bibliographic principles. The corpus selected for this article, composes the repertoire presented also in recital format. In the analysis and discussion, there was a confrontation between the revisited songs and the defined theory. Finally, it is expected that this work will add to studies related to research that address affective memory, collective memory, identity, identification and Brazilian popular music.