Manifestações da intertextualidade e da interdiscursividade no livro Eva, de William Paul Young

Abstract

This article aims to present and discuss the presence of intertextuality and interdiscursivity perceived in the book Eva, by Canadian writer William Paul Young, released in Brazil by Arqueiro publisher in 2015. To support this work, directing it to some categories of the Textual Linguistics, the contributions of Koch, Bentes and Cavalcante (2012), Koch (2009a;b), Antunes (2010), Marcuschi (2009), among others, were used, especially with regard to the concepts of text and intertextuality ; for the discourse and interdiscursivity categories, the French Discourse Analysis was used, through the studies of Orlandi (2009), Ferreira (2001), Florêncio, Magalhães, Silva Sobrinho and Cavalcante (2009), among others. From a methodological point of view, this is a bibliographical, documentary, descriptive, interpretive and qualitativeresearch (GIL, 2017; MARCONI; LAKATOS, 2017; SEVERINO, 2007), operationalized through the analysis of excerpts from the book Eva (YOUNG, 2015), whose procedures aimed to investigate the intertextual and interdiscursive facets of the work on screen. As for the results, it was found that the proposed objectives were achieved, confirming different types of intertextuality in the work, in their categories of capture and subversion, as well as about intratextuality, through the works A Cabana (YOUNG, 2008) and The Crossing (YOUNG, 2012); for the phenomenon of interdiscursivity, the presence of discourses related to religion, science, racial or white hegemony, among others, was perceived in the literary narrative in question.