A Tuba como instrumento solista na música brasileira: repertório, aspectos estéticos e históricos

Abstract

The present work aims to present how the tuba is inserted in Brazilian music as a solo instrument, we seek to respond to specific objectives: Describe the historical aspects of the tuba, its transformations and adaptations over time and, select and interpret music repertoire Brazilian for tuba. Its historicity, commented on in this research, attests as a consequence of its progress to meeting the needs of musicians regarding the technical viability of the instrument in the repertoire of tuba scores from all eras. In the study, selected scores were presented to be played in the recital, with the aim of guiding tuba players regarding the performance and role of soloist in these creations. To this end, interviews were carried out with the respective composers who, based on testimonials, presented important information about the compositions for the tuba, as well as the relationship between the scores and the honorees. The results indicate that the interviews carried out revealed in-depth knowledge and proximity to the tuba as a solo instrument, contributing to the appreciation of Brazilian music in this context. The analyzed compositions demonstrated different stylistic, technical and historical approaches, enriching the tuba repertoire and highlighting its importance in the musical scene. It is concluded that the work of cataloging and disseminating these pieces promotes the recognition of the tuba as a solo instrument, encouraging the creation of new works and stimulating the technical and artistic development of musicians.