Poemas de Cora Coralina na perspectiva da análise do discurso: possíveis efeitos de autoria

Abstract

This article aims to theoretically discuss the notion of authorship, based on the analysis of the poems O Cântico da Terra, Todas vidas and Mulher da vida, from the work Poemas dos Becos de Goiás e Estórias Mais, by Cora Coralina (2012). Under the light of Pecheuxtian Discourse Analysis (DA), we will mobilize the theoretical notions of language and subject to produce a shift in the comprehension of writing. We will take writing as a process that does not start with the subject-enunciator (or author of the literary text), but which refers, above all, to its discursive constitution and the way in which it mobilizes meanings to produce the text (under the discursive effect of authorship). We will also return to the theoretical notion of production conditions to observe the meaning effects that can be highlighted in the analyzed poems and, mainly, to reflect on how authorhip is produced in Cora Coralina's writing. We wait that the analysis will contribute to the field of discursive studies, in relation to the reflection on the literary text and, especially, on the notion of authorship, as an effect of the practice of a subject who, at the same time working on the senses, is captured by they