https://repositorio.ifpe.edu.br/xmlui/handle/123456789/523 Wed, 29 Jul 2026 21:54:53 GMT 2026-07-29T21:54:53Z https://repositorio.ifpe.edu.br/xmlui/handle/123456789/2219 Maracatu e discurso: sentidos e identidade no maracatu de baque solto à luz da Teoria Social do Discurso de Fairclough In this paper, we examine the Maracatu Loa genre from the perspective of Fairclough's Social Discourse Theory (2016) and scholars who advocate this theory in critical discourse analysis (Lira, Alves (2018); Gonçalves-Segundo, 2018). We analyze how the Loa can aid in the development of discursive skills to promote the development of a place of speech in society. Specifically, this study sought to investigate how oral communication, in conjunction with the oral tradition of maracatu loa, can foster the conception of language as action; to identify the extent to which we can conceive of the production of loas as a social practice for promoting social change; and to analyze how the poetry of maracatu loas can promote discursive interactions and the process of weaving identity and sociocultural resistance of those who produce them. As a methodological option, we employed a qualitative/interpretative approach to data analysis (Bardin, 2011). We analyzed two prototype texts of the loas genre, analyzing them according to the dimensions of Fairclough's critical analysis: textual, discursive practice, and social practice. The results showed that loas are counter-hegemonic discourses that resignify meanings, resist socio historical invisibility, and their social practice contributes to social transformation by articulating memory, critique, and collective identity, and by tensioning power relations and fostering the weaving of identities Mon, 11 May 2026 00:00:00 GMT https://repositorio.ifpe.edu.br/xmlui/handle/123456789/2219 2026-05-11T00:00:00Z https://repositorio.ifpe.edu.br/xmlui/handle/123456789/2096 Resistência e testemunho no conto olhos d’água, de Conceição Evaristo Thu, 18 Dec 2025 00:00:00 GMT https://repositorio.ifpe.edu.br/xmlui/handle/123456789/2096 2025-12-18T00:00:00Z https://repositorio.ifpe.edu.br/xmlui/handle/123456789/2050 Literatura de resistência: vozes do sujeito subalterno em “O contrário de B.”, de Bruno Liberal Tue, 16 Dec 2025 00:00:00 GMT https://repositorio.ifpe.edu.br/xmlui/handle/123456789/2050 2025-12-16T00:00:00Z https://repositorio.ifpe.edu.br/xmlui/handle/123456789/1980 Entre o batente e o grito: resistências possíveis no cotidiano do trabalhador em letras de canção This article analyzes the lyrics of the songs “Rodo Cotidiano” (O Rappa), “Be Myself” (Charlie Brown Jr.), and “Stab” (Planet Hemp) as forms of resistance to alienation, exhaustion, and oppression in everyday working life. Urban popular song is understood as a literary language that expresses collective experiences and social criticism. The objective is to examine how these songs denounce productivist logic and construct discourses of contestation. Specifically, the study seeks to: investigate how lyrical subjects narrate dissatisfaction with urban life; interpret the desire for authenticity in the face of social pressures; and reflect on song lyrics as sociopolitical critique and as a form of cultural resistance. The study is grounded in the concepts of literature of resistance (Bosi, 1992; Gonçalves and Bonnici, 2005), literature of testimony and escrevivência (Seligmann-Silva, 2005; Silva Belo, 2020), articulating these theoretical frameworks with the textual and thematic analysis of the lyrics, while also engaging with contemporary readings that extend these discussions to everyday life, as proposed by Silva (2020). It is concluded that these compositions function as devices of contestation and symbolic elaboration of the urban worker’s experience. Thu, 18 Dec 2025 00:00:00 GMT https://repositorio.ifpe.edu.br/xmlui/handle/123456789/1980 2025-12-18T00:00:00Z